We took a completely different approach with The White Lotus. We also worked extensively with the team at the show to decide which symbols to visualize, as well as worked closely with Howard Shore’s score to make sure every moment of movement was tied to the music. In the end, we created thousands of images and motion samples in CG and live action to find the right answers. The entire project was really a massive physical and CG science experiment. She filmed the experiments, and we knew we had captured something beautifully uncontrollable. Katrina experimented with everything from humpback whale sounds to Gregorian chants, to see the effect on sand, flour, pepper, and other materials. How did you begin these projects? Can you talk about the collaborative process with the director and the process of creating the sequences from start to finish?Īt the start of The Rings of Power project, we built a cymatics rig. Meanwhile, The Rings of Power made compelling use of music, vibrations, and shifting sand patterns to evoke the mythic symbols of J.R.R. The White Lotus opening titles were so popular with viewers that they went viral on TikTok, with the world-famous Rijksmuseum in Amsterdam showcasing its collection by imitating the artwork in the sequence. To create the two completely different nominated sequences, Crawford and Bashore used Adobe Creative Cloud tools including Premiere Pro and After Effects, producing short visual stories that echo characters and events in the shows. Plains of Yonder co-founders Katrina Crawford and Mark Bashore are masters of the art, having produced opening sequences for two series nominated in the same 2023 Emmy Award category of Outstanding Main Title Design: The Lord of the Rings: The Rings of Power and The White Lotus season two. Intriguing visuals, captivating music, and clever editing spark curiosity about the storyline and characters, motivating viewers to watch further. This post was written by Michelle Gallina and originally appeared on Adobe blog on Sept.
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